Sōmokutō · 701 poems
The collection Taneda Santōka chose himself.
Chapter by chapter, beginning to end.
The Begging Bowl (Hachi no ko)
91 poems1925–1932 · Years of mendicant wandering
Ordained at last, Santōka became caretaker of the Mitori Kannon hall in Higo, then set out on a life of mendicant wandering with nothing but a bamboo hat and an iron begging bowl. This is the wellspring of his vagabond years. Many of his best-known verses belong here, beginning with "going deeper and still deeper into the blue mountains."
- the pines all droop their branches — namu kanzeon
- in the pine wind ringing the bell at dawn and dusk
- sweeping for the first time in a while — the hedge flowers are in bloom
- going in deeper / and deeper still / the green mountains
- soaked through — and this is a stone that marks the way
- the blazing sky borne on my head I go begging
- a crow caws and I too am alone
- in the midst of life and death the snow falls without end
- leaves falling I keep on walking
- treading my way through — bush clover, pampas grass
- this journey, this endless journey — a cicada crying
- drifting and drifting I savor the water
- watching the moon go down and I am alone
- alone getting bitten by mosquitoes
- flung out my legs still in the sun
- come from deep in the mountains carrying cocoons
- walking with a dragonfly perched on my hat
- walking on and on the red spider lilies blooming on and on
- the road runs straight and I am lonely
- in silence I put on today's straw sandals
- gently tipsy the leaves come fluttering down
- cold rain falling and I am not yet dead
- inside the freshly papered shoji one person
- casting a shadow on the water I am a traveler
- snow falling falling and I am watching the snow
- cold rain falling and into the rained-on mountains I walk
- having been given just enough to eat and now it turns to rain
- buds on the trees buds in the grass I keep on walking
- scratching this body that survived
- having parted and walked on a cicada crying
- the mountain I'll never see again draws away
- nothing but crickets crying at me
- crystalline the waterbirds pair off
- a shrike cries and there is nowhere to lay this body down
- this hopeless self of mine walking along
- crossing a river run completely dry
- the snake gourds hanging there are two
- the light off the pampas grass nothing to block it
- pushing in — the sound of water
- slipping and falling and the mountain hushed
- the sasanqua in the rain not even falling
- coming down without cease the big leaves
- this morning too a fine day one star
- withered right through and turned to beans
- onto my tired leg a dragonfly settled
- on the withered mountain there is water enough to drink
- the weight of the baggage I can't cast off before me behind me
- my robe torn to this and burrs of grass
- rewriting my traveler's farewell note
- in the lee of the rock water truly welling up
- wet with the rain that cloud let fall
- shaving off my white hair here and leaving
- sitting down on weeds gone autumn
- water this delicious overflowing
- grown old I long for home a cicada crying
- rock setting thistle to bloom on rock
- that's fine as it is sweeping the fallen leaves
- came down to the village along with the sound of water
- savoring it deeply rice that is only rice
- not a single cloud I take off my hat
- the graves in a row and up to them the waves press in
- drunk I'd been sleeping with the crickets
- met again the sasanqua too in bloom
- even the sound of the raindrops has grown old
- a shabby shadow, I think — and leaves fall
- I long to see you — the slag heap has come into view
- holding out its branches the winter tree
- no more houses to beg from and clouds on the mountains
- or else I quit begging and stand watching the mountains
- has my hat too begun to leak
- on a frosty night there'll be a bed somewhere
- cheap cheap cold cold snow snow
- this back of mine going off into the cold rain
- into the begging bowl too the hail
- how long will the traveling go on — cutting my nails
- the morning calm sets down two islands
- up the stone steps in the winter rain Santa Maria
- a tooth that dropped out easily enough
- cold clouds hurrying by
- home is far away and the buds on the trees
- out of a fine bath into a fine moon
- in a tree already budding a bird is crying
- onto my hat with a soft plop — a camellia
- the road turns quiet and the buds of dokudami
- bracken already for sale
- toward the noise since morning a long bridge is thrown
- settling here the grass sprouting
- having received enough I set down my one pair of chopsticks
- treading firm on the drizzle-wet earth i go on
- in the autumn wind i pick up a stone
- on today's road a dandelion has bloomed
One Man Within (Gochū hitori)
47 poems1932–1934 · At the Gochū-an hermitage
In Ogōri, near his native Yamaguchi, Santōka built a hermitage he called the Gochū-an — the first dwelling he could truly call his own. These are poems of solitary quiet, of sitting face to face with snow and moon, of the sound of rice coming to the boil. Here the verses of daily living begin to appear.
- in my home village where the rain falls i walk barefoot
- all the way to the kitchen the moonlight, and i alone
- toward the plume grass the plume grass swaying
- just moved in and the red spider lilies at the height of bloom
- red dawn sky, rain falling — i'll sow the radishes
- the dew on the grass seed, trying to settle
- from the evening sky i receive a single yuzu
- the tea flowers, i let them just keep falling as they fall
- somehow it has grown light — tea flowers
- winter has come — scraps of wood, scraps of bamboo
- the moon rises and i wait for nothing
- my lone fire blazing up higher and higher
- the New Year's crows caw and caw
- among the fallen leaves — a narcissus shoot, is it?
- this and that to eat, and a whole day of wind
- the sound of water — truly i have settled down
- the tea shrubs too, hermitage-like, open then scatter
- the sky clouds as if someone might come — loquat blossoms
- leaves falling — deep within i behold the buddha
- under a snow-heavy sky i pluck the last one
- snow falling on gochū, and i as one man tend a fire
- a warm day, and there is still something to eat
- i come back down the middle of the moonlight
- onto snow snow falling, and i am in the stillness
- snow falling — one by one they go
- fallen leaves gone warm — spearflower berries
- ringed round by tea shrubs, a life of no particular anything
- moonlit night — so the gift he brought was rice
- when i walk, butterbur buds
- a camellia opens and there is a grave
- utterly hushed, the shepherd's purse at the height of bloom
- one single camellia, one single flower
- that sound since morning — a bird come to eat the berries?
- pull and pull and still i pull the grass's clinging
- already dusk — the fire flaring up
- as if someone had come — only a loquat leaf falling
- today, picking butterbur and eating butterbur
- wanting to do something — though the grass blades sway
- sparrows dancing! dandelions scattering!
- day about to break, i open the window — green leaves
- a long hair — and it's white
- my heart guileless, the rice has boiled over
- a butterfly from behind to the front flutter flutter
- after all being alone is best — weeds
- today again all day no one came — a firefly
- onto my bare skin a dragonfly means to land, does it
- a rustle, a scrape — a voiceless insect has come
On the Begging Road (Gyōkotsu tojō)
41 poems1933–1934 · Begging out from the hermitage
Days when, with the Gochū-an as his base, he still went out on the alms-begging road. Many of these are poems of the open road. The wind in "today too, a whole day, i walked the wind" is the wind of this time.
- the pine wind cool — a man eats, a horse eats
- today again all day i have walked the wind
- what on earth is what — everything is in bloom
- walking buttercups, sitting buttercups
- thistles bright and vivid — a morning after rain
- head bowed, only pebbles
- with the drops from the young leaves, with the drops from my hat
- firefly come, come — i've reached my home village
- the temple's bamboo shoot has become a bamboo
- pine wind, pine shade, lying down
- day breaking, i whet the sickle
- alone i listen — a woodpecker
- under the leaning moon, being an owl
- wild roses — let me become the soil of this place
- waiting — the cherries are ripening
- in the bosom of the mountain i become naked
- the mountain path already has the bush clover blooming
- here once again the wild roses are scattering
- from the morning earth i pick it up
- a stone enshrined where the water wells up
- hurrying home — kanakana kanakana
- a day in the mountains — the ants are walking too
- the clouds hurry off and make it a fine moon
- the morning is cool — young myōga shoots
- always alone — a red dragonfly
- until my travel robe dries, wind through the weeds
- today is farewell — a loofah dangling
- soaked as soaked can be, i've come — buttercups
- it moved — so it was a bagworm
- in the shade of the fig leaves i have a lunch box
- across the water the lights of the women's houses begin to flicker
- hazed and layered, the mountains are my home village
- in the spring wind a single begging bowl
- on a willful, as-i-please journey, i go on getting wet in the rain
- back after so long — bamboo shoots springing up and up
- soaked to the skin the horse puddling the paddy is scolded and scolded
- clearing, then raining — it's become a green paddy
- the grass grows thick — there they burn the dead
- morning dew, gently damp — i go where i want to go
- cuckoo — tomorrow i'll cross that mountain over there
- taking off my sedge hat, and quietly, deeply, getting wet
Walking Mountains, Walking Waters (Sankō suikō)
103 poems1934–1936 · To the mountains, to the waters
The title means "to walk the mountains, to walk the waters." Moving back and forth between travel and the hermitage, Santōka let his body dissolve into the sound of mountains and the sound of water. The verses gathered here are clear and limpid.
- blazing sky, nowhere to hide, and water comes flowing
- in the blaze of noon the jizō's face all smiles
- not waiting, not not-waiting — moonlight on the weeds
- in the wind, gathering dead branches, walking on
- sunflowers — in the blaze of noon the machines set to rest
- the moon straight and full into the mosquito net — as if someone might come
- the loofah dangling has reached the ground
- picking the eggplant the evening shower has washed
- cricket — at least tomorrow's rice, i have that
- sure enough — on the first day of the equinox, spider lilies
- within reach, the fig ripening
- memory is the tide coming in at the home-village ferry landing
- in the soft steady rain i draw water
- i'll pick one, then make my meal
- suddenly thinking of my child — a shrike cries
- seeing the sun off beyond the mountains, then to my meal
- even at midday, a quiet fly knows the flyswatter
- the misery of no longer getting drunk — a cricket cries
- naked, being hit by the naked child
- truly good — the sound of the evening shower's water here and there
- at last the post has come, and after that only ripe persimmons falling
- falling — the persimmon leaves; blooming — the tea flowers at their height
- gathering the fruit that ripens and falls
- seeing someone off, coming home alone through the mud
- moonlit night — i rinse all the rice i have
- the sky's depth is water with sunken leaves
- where there's a stone, where there's grass, it's withered
- the moon to the jizō — it's turned cold now, hasn't it
- the sound of water never ceasing — briar berries
- the moon casting my shadow from behind, i cross the water
- sowing into the drizzle-wet earth
- he comes treading through fallen leaves, saying he's met his sweetheart
- snapping clean, a bamboo leans among the bamboo
- when the moon comes round the back, the thicket's shade
- on the roof of a meager life the snow melts and drips
- an unwilling parting — the day darkening early, the tenth-night moon
- the town in the twelfth month — the greengrocer's onions have sprouted
- this year too, only for tonight, it's turned to sleet
- what a gentle sky — two or three citrons
- a winter night, that leaves me here just so
- enough dead wood gathered for the fire — the mountain is clear
- when i fall ill, the flycatcher comes right up close
- called to, i turned around — a grove of fallen leaves
- into the snow, my footprints too press firmly on
- drinking sake, the mountain is withered
- quietly the snow falls — the small birds' affection
- the snow on the far mountains, and the one i've parted from too
- the brightness of snow — a stillness that fills the whole house
- the spearflower too — a lonesome one, its berry a single dot
- all withered now — the bush clover and the pampas grass, both soaked
- the camellia falls, the water flows
- waking, snow falling — not that i feel lonely, but
- as if someone might come, snow scattering here and there
- the owl in its way and i in mine, unable to sleep
- the train's rumble seems like daybreak too — the oak leaves rustling
- even when the moon comes round the back, the tree's shade
- when sun strikes the withered pampas grass, as if someone might come
- everything, made into gruel, warm
- even the bagworm dripping — spring has come, you know
- grasses and trees, come back alive and grown thick
- ill and alone, morning turning into evening — green leaves
- under a sky where the young persimmon leaves shine, i go on not dying
- bees and butterflies and grasses, blooming without end
- this morning even the water's sound seems like good news
- i'm a dog always chained, with nothing to do but bark
- truly quiet — the grass springs up and blooms
- the happiness of springing up, growing, blooming
- the paper screen closed on my solitude, an insect comes and taps
- the shadows too, sharp and clear — young leaves
- pop, out of the hole — a lizard, is it
- no one comes to visit — i simmer butterbur in soy
- cocks and cunts too, in the welling, overflowing bath
- glad things too, sad things too — the grass grows thick
- alone and hushed, the bamboo shoot becomes bamboo
- mountain peers out past mountain — the rainy season clears
- naked since morning, a dragonfly alights
- there's something to eat, something to get drunk on too — rain on the weeds
- under the blazing sky, endlessly, a line of ants
- the spider spins its web, i affirm myself
- able to die anytime — the grass blooming, bearing fruit
- in the blaze of noon, a single leaf falls
- the sky clears — butterflies, now two, now three
- the blue sky intimate, utterly still
- here am i, and the cicada crying, one whole day
- when the lilies bloom, for the jizō too a lily
- a wind has risen over the grass too — the tofu must be cool by now
- the wind blows through so cool — the bees too, the dragonflies too
- drinking the water of home bathing in the water of home
- I make this my place to die grass thick and still thicker
- who shall I give it to — drawing off the loofah water
- at the equinox I offer the equinox flowers to the Buddha
- spider lilies bloom and my home village is only graves now
- in the autumn wind, a praying mantis working itself into a rage
- taking its time the persimmons too ripen
- shouldering a heavy load and blind
- a cicada crying too close a cicada
- the moon rises from beyond the persimmon tree to above it
- sun reaches my bed persimmon leaves, plumes of susuki grass
- something is missing leaves keep falling
- he brings the mail eats a ripe persimmon and goes
- a shrike cries out and those leaves fall
- he came round the back way covered in grass burrs
- somehow I am still kept alive here among the weeds
From Journey to Journey (Tabi kara tabi e)
38 poems1936 · The long journey east
To Tokyo, to Kiso, to Hiraizumi. A long eastward journey following the footsteps of Bashō and visiting the graves of departed friends. These travel verses were gathered up out of two thousand poems he had thrown away.
- the road I parted from runs straight on
- the moon too on the water's floor there is a travelling sky
- there's a willow so it's called the Willow Inn — a cool wind
- everyone in good health — the pumpkin flowers too
- no sooner does the shower clear than mountain crabs come out to play
- from here green rice fields and just the right heat of the bath
- waking from a nap mountains whichever way I look
- the journey somehow autumnal even the mist that hangs on the mountains
- a good inn mountains on both sides and a sake shop out front
- when I sit there is wind autumn weeds
- I'll sleep here grass seeds spilling
- bush clover, susuki grass — today's road
- just four or five trees out back and a cicada singing
- the road gives out and the trees are about to shed their leaves
- leaves fall and fall into my begging bowl too
- willow leaves fall and there I begin my begging
- a good road to a good building — it's the crematorium
- I'm taking the picture now — the maple leaves are falling
- walk and there are grass seeds sit and there are grass seeds
- spring has come — following the water's sound as far as it will go
- winterberry red and cheerful — white-eyes and buntings
- spring cold — the girl of the pleasure house came out with a coin for me
- now then, which way shall I go — the wind blows
- there is only this road spring snow falling
- today only this far — I take off my straw sandals
- the friendliness of a grassy hill — a warbler too is singing
- somewhere along the way the cherries bloomed — we meet and we part
- the old days of our teacher too — maple buds
- a tree has fallen I sit down on it
- waterfowl of our parting bobbing up and sinking down
- swallows darting to and fro — from journey to journey I lace my sandals
- we won't meet again — the cloudiness of budding trees
- walking and begging the sound of water goes on and on
- the water I wanted to drink was running with a sound
- deep in the mountains the butterbur shoots at least are in bloom
- the mountain being so still I take off my hat
- truly mountain country nothing but mountains and the moon's
- tomorrow I'll go home cherry blossoms fall keep falling down on me
A Landscape of Weeds (Zassō fūkei)
72 poems1936–1937 · At the Gochū-an hermitage
Santōka named his hermitage life himself "a landscape of weeds." Let weeds grow and stretch and bloom and bear fruit as weeds — that is enough. Morning and evening at the Gochū-an: rice, water, and the sound of insects.
- the persimmons red — a house grows livable when you live in it, and this its tree
- heavy with young and stumbling — a cricket, is it?
- sunlight becomes at some point moonlight — the tree's shadow
- the two or three left behind turn to ripe persimmons — clouds coming and going
- everyone at work the reaped fields wide and wide
- no one comes and the chili peppers turn red
- falling ill the redness of a pickled plum
- however much I think on it it comes to the same thing — treading fallen leaves as I walk
- drawing water deep among fallen leaves how clear the water is
- lying down, getting up leaves keep falling
- waking clear-headed I feel the moon right overhead
- the moon is bright I draw and set aside some water
- waiting for you the fire burns like flame
- a little teahouse and chrysanthemums set in an empty bottle
- the sun peeks in a sleeping face at peace
- on a heart full of regret the sun shines and a small bird comes to sing
- treading the fallen leaves the tofu man came, so — tofu
- at the beauty of the withering grass I sit down
- winter comes again and another tooth falls out
- the taste I chew out of it too with teeth about to fall out
- the goodness of the bamboo — dripping in the morning wind
- cleared skies and New Year's Day the water brimming full
- moored here for the New Year, prows lined up in a row
- a crow on a bare tree — the New Year is over too
- from somewhere or other they come scattering down — the sentiment of leaves
- while the cold rain drizzles beautiful grass all around me
- living quietly and a wren comes
- dangling there in the falling snow a bagworm
- threatening snow that won't turn to snow the smoke of the factory district
- when it turns warm shadows of trees, shadows of people
- grown used to living here the wild camellia blooms on and on
- just as I am as a weed I put out buds
- walking in the warmth — camellias fall plop plop
- the wind just right and spring-like — thicket after thicket
- a slight bitterness too — the butterbur shoots of my old home
- swaying — the treetops seem to have swelled too
- white flowers from the mountain onto my desk
- some days even the longing for people — buds on the trees, buds on the grass
- voices drawing near — the tree buds bright
- rather than growing tall it blooms
- when the grass sways I somehow wait for someone
- tilling alone I find myself singing
- from the blossom-hazy window one chimney
- blooming quietly and falling
- a loquat withers a loquat sprouts — living alone
- bleats in the sun bleats in the clouds — one goat
- toward the sky young bamboo untroubled
- all around me nothing but grass and it's all in bloom
- flopping down flat on my back — blue sky
- seeking what do I go on into the wind
- letting the grass bloom and then letting the butterflies play
- deep into the green leaves a path still — and a grave
- that too will do — grass is blooming
- when the moon grows bright before you know it — katydids
- in the tree's shade there's a breeze — fellow travelers
- sunlight flickering — lizard and its shadow
- the brightness of the moon front and back — katydids
- the wind-chime of the season you seem about to come
- under the blazing sky pulling barnyard grass
- butterflies tangling together shade and sun
- already withering the blades of grass in the rain
- the crumbling house crumbling in secret — an evening cicada
- once I'm dead — weeds, rain falling
- with death before me a cool wind
- even the ringing of the wind-chime — death creeping near
- nothing left to regret — the taro leaves at evening flutter, flutter
- the wound healing it blows as an autumn-like wind
- autumn wind the sound of water polishing the stone
- bush clover spilling onto the path and now and then a visitor comes
- toward the moon the way the pampas plumes rise
- on the journey a telegraph pole in the evening light — a tsukutsukubōshi
- coming to the end of the road an autumn-touched sea brimming
Persimmon Leaves (Kaki no ha)
118 poems1937–1938 · The late Gochū-an years
In the wet, shining fallen leaves of the persimmon, Santōka saw the wonder of creation. These are the late Gochū-an years, a mature collection in which his eye grows ever deeper toward the small things close at hand.
- in the water even the cloud-shadows leave something unsettled
- warmly the grass has withered away
- on the journey even the sasa swaying on Sasa-yama
- the spring-tide streamers snap and still they wave their hands
- my old home — the snow on that range of mountains shining
- spring snow falling the women are truly beautiful
- on an aimless journey the sleeve-grass has gathered this much
- standing still the wind crossing the sky far, far off
- even the drift of clouds — after the glory the water shines
- in the spring wind the doors open — namu amida butsu
- let's strike the bell on this lovely day
- what is holy — the pure-white rooster
- today I've come this far — withered reeds everywhere
- the ears of barley — it's not that I have no memories
- on the spring sea from somewhere or other a boat comes rowing
- Kamakura is fine — the moon has risen through the pines
- Izu is warm and good for sleeping outdoors the sound of waves too
- again shedding one layer journey after journey
- with relief there's the moon I've come to Tokyo
- flowers turning to leaves — Tokyo, farewell
- overtaken by nightfall — how good the water is around here
- pissing at my leisure among nothing but grass shoots
- walk — a cuckoo; hurry — a cuckoo
- larch needles fallen — dozing off, a dream of home
- Asama full in front of me — lunch out on the grass
- the depths of the mountain all budding
- pushing through green leaves — Ryōkan-sama must have gone this way too
- my heart empty the wild waves rush in and draw back
- crouched on the dune today too Sado is not to be seen
- flinging my legs out toward the wild sea — before and after the journey
- the clouds at the water's bottom too — early-summer rain of the northern sky
- meeting and parting the early-summer rain falls on
- the sound of water far and near walks me along
- the grass grows thick — foundation stones, here and there pooled water
- having come this far I drink the water and go
- the sound of water never ceasing I am here with the Buddha
- a butterfly fluttering has crossed the roof-tiles
- everyone has a house to return to — the coming and going of evening
- as the night deepens a cool moon from between the buildings
- today's footsteps the earliest come crossing the bridge
- once again here the grass grown thick and left that way
- the only sounds are mine alone
- the wind of a hangover blows sadly through
- even if the crow caws no one will come
- the goat sounds sad the grass is green
- tsukutsukubōshi crying tsukutsukubōshi
- when it rains there's the sound of water — how the grass thrives
- when the heart settles the sound of water
- fluttering butterfly cannot sing
- wet through little butterfly where are you going
- the sky clears wide open two radish leaves
- thinking of nothing the persimmon leaves fall and fall
- the faint scent of yuzu distant mountain ranges
- cheerfully they are picking persimmons
- naked the talk flows freely
- nothing left to cling to the vine withers
- where I wash the rice mizosoba has bloomed unnoticed
- the graveyard warm a butterfly
- in the fold of the hills here again this year gentians
- this morning cool I take my rice gruel
- may they bloom together white patrinia and golden
- someone far away parted from me the tsukudani I simmer
- whetting the sickle the sunset calm
- how much longer will I live the spider lilies have opened
- when the day's wind settles in the thicket a crescent moon
- that I was born as me and autumn deepens this me
- nothing to do but walk covered in seeds nothing to do but return
- there is warm white rice
- a shadow suddenly grazed past the wind
- following the light and dark of the wind
- when I stop the road runs toward the sound of water
- faintly blooming and mirrored in the water
- the grasses in bloom the dew spilling down
- the autumn wind blowing through and letting it blow through
- at last it opened and it was a white flower
- the fallen leaves shining wet persimmon leaves
- the heart full of regret spider lilies ablaze
- from deep in the soil of home a bell cricket
- down from the moon a flutter a persimmon leaf
- what am I waiting for day by day the fallen leaves grow deep
- the way the drying water clears
- as the grasses wither so you've come little wren
- thinking of Sumita the persimmon leaves fall and fall
- the wind is the loneliest thing I think plumes of pampas grass
- have you died right after laying your eggs mantis
- today one postcard in the wintry wind
- the beauty of the grasses hushed in the drizzle
- washed the radish grows whiter still
- the drizzling earth I break up and sow
- my shadow too chewing away late at night I am eating
- the bare winter tree in moonlight I'll go to sleep
- a taro happened to be lying there so I make taro gruel
- the drizzle washed the graves like a friend and passed on
- deep autumn I fetch water and return
- I make a fire for one
- given a live and quiet winter carp
- the grasses their beautiful way of withering
- straw stack after straw stack how warm
- those footsteps coming through the leaves I know them
- after all being alone is lonely withered grass
- the leaves fallen the neighbor's lamp grown closer
- out of the wind caw caw a crow
- the leaves fallen no leaves left to fall the sun
- nothing happening bare tree snow falling
- this year too draws to a close I blow the fire-tube
- the New Year comes I bought a bucket and it's full of water
- from today the new calendar's rising-sun flag
- dressed in rags bundled up wearing an auspicious face
- gathered together making a New Year's bonfire
- snow falls there is food to eat snow falls
- a sleety morning it burns well so I heap wood on wood
- keenly I feel I am being let live as I mend a tear
- the butterbur sprout that always comes up has come up
- still alive after all these tree buds and grass buds
- when it snows I buy sake and the price of sake has gone up too
- no sooner open than dripping the crimson camellia
- butterfly in the soft light will you climb to heaven
- one is enough I wash the rice in the pot
The Home Front (Jūgo)
25 poems1937–1938 · Poems of wartime
Under the Sino-Japanese War, these are poems of days spent seeing off men going to the front and receiving home the ashes of the dead. Neither glorifying nor condemning, they mirror the quiet strangeness of a town on the home front.
- in the blazing heat a thousand-stitch belt one stitch at a time
- this bright moon what place is it bombing now
- autumn deepening further the rising-sun flags stream out
- treading firm the soil he may never tread again he marches to war
- drizzle falling the clouds tearing away I think of China
- utterly hushed the fatsia flowers bloom
- drizzle falling and how quietly six hundred fifty souls
- silent in the falling drizzle before a white box
- the warm foot of the hills here I will lay you to rest
- wintry wind two rising-sun flags this house sent two men off
- winter peony a brave letter came what relief
- onto snow snow falls they say the fighting is only beginning
- we must win the whole earth about to burst into bud all at once
- both valiant and sorrowful the white box
- the town in festival so you've come home as bones
- sweat drips down and down onto the pure-white box
- the ashes voiceless go across the water
- one fragment of it will become the soil of home autumn
- they all march off to war — the green of the mountains greener still
- the horse too called up — an old man and an old woman
- sound upon sound — rising-sun flags rattling
- eating this last bowl of Japanese rice — sweat
- eyes fixed, biting into eyes — eyes
- even the scarecrow gamely waving the rising-sun flag
- legs and hands left behind in China — back to Japan again
Cold and Alone (Kokan)
57 poems1938–1939 · Yuda, the Fūrai-kyo
Leaving the Gochū-an, Santōka moved to the Fūrai-kyo at Yuda hot spring. As the title suggests, many of these are winter poems that hold solitude and cold, yet beneath them the warmth of a hot-spring town also glimmers.
- one bird playing in silence among the blossoms
- in the spring wind the bagworm pokes out its head
- poking out its head the bagworm does not sing
- carrying home the water I was given — warm, and spilling
- clack-clack clack-clack — what are they weaving — a fine spring day
- the sunny spot is glad — birds that sing and birds that don't
- all around me the grasses bloom as they please
- the greenness of the grass — coming home barefoot
- over grass left to bloom as it will — butterflies
- from thicket to pot — one bamboo shoot
- lined up, the bamboo shoots turning into bamboo
- close to my window the shoots become bamboo, day after day
- in the wind walking on, blaming myself
- the wind rises and sets me quietly thinking of myself
- waking to thunder close overhead I sit up straight
- gacha gacha gacha gacha — nothing to do but cry out
- waiting for whom — this evening the bush clover keeps falling
- the voices — surely people working this moonlit night
- the more the rain falls the brighter the leopard-plant flowers
- the sowing done a good rain comes — the color of the mountains
- vaguely, here and there, like leaves scattering
- an evening of quiet ease — mother spider, baby spider
- truly I cannot settle — the grass withering, withering
- cold rain falling — the last of the rice cooked up well
- at the crematory a puddle mirrors the clouds — cold
- death is a chill sky — far off the clouds move on
- death pressing close — chili peppers, deep scarlet
- the stillness of death — clear sky, a tree with no leaves
- there I set the moon before death
- somehow the dust on the desk turns wintry
- grass seeds on my sleeves, on my hem — warm
- withered pampas grass, withered utterly — the snow piling down
- set loose in the water the winter carp all swimming
- find one and there are butterburs — two, three
- butterbur buds — this year too, here, butterbur buds
- since we parted it snows every single day
- I set out udon — mother, I too will eat
- in Gochū one man, always one man — the grass sprouting
- snapping dead branches, thinking of nothing
- one smooth peel — the whiteness of the leek
- the flycatcher, alone again, cries and cries
- walking with no aim between grave and grave
- shut into itself the wild camellia blooms and drops
- spring has come — quick, an insect has arrived
- crying, two or three — spring crows
- the coughing won't stop — no hand to pat my back
- opening the window — a windowful of spring
- stillness — the bamboo shoots have all become bamboo
- living alone the grass grows green and green
- dawn glow, dusk glow — nothing to eat
- my first grandchild born, they say — a wind-bell ringing
- catching the rain a pailful of beautiful water
- leaping, one red frog
- the cranesbill blooms as its own quiet flower
- another day ending, a little sunset glow
- sitting in the grass eating plain rice, plain rice, savoring it
- sitting in the grass — plain rice, plain rice
Heart for the Road (Tabigokoro)
36 poems1939 · The last long journey
From Shinano through the Tōhoku country and on across to Shikoku. These are poems of a final long journey — as if searching for a place to die, and yet light of step all the same.
- reed plumes go where the wind wants to go
- close to my body the water comes flowing
- from nowhere in particular clouds appear — autumn clouds
- the good taste of the rice — the blue, blue sky
- flopped down in the grass — my loincloth has dried
- the pleasure quarter — night not yet broken — a row of leafy willows
- autumn wind — going where I want to go, as far as I can go
- through a gap between buildings the mountains show — that blueness
- the morning rain just enough to dampen the stones
- the frost white — someone lies dead, just like that
- spreading the grass we share a boxed lunch, then right and left
- sowing into the morning light, then setting out
- a quick lift across the ferry — early-spring ripples
- how everything looks good enough to eat — the shop window
- water on the stones — making it a spring night
- that storehouse just as it was — aucuba berries
- hushed, a butterbur bud — let me rest here
- since I stopped meeting people — mountain butterflies
- suddenly thoughts of home — the sansho buds
- a body that can die anywhere — spring wind
- brimming, becoming spring water, it overflows
- across the water a man and a woman talk without end
- traveler that I am, let me dig clams with you a while
- in the soft spring sun a butterfly lies dead
- cherries in full bloom — and the prison
- the white peach buds i tossed in — open, open, quickly now
- the peach has set its fruit and you are already gone
- in the soft spring light a slag heap is only a slag heap
- big bridge little bridge — fireflies, fireflies
- no way but to follow this road though the grass grows deep
- i happened to call and that magnolia was in bloom
- deciding to stay the night — my hometown's onion flowers
- home is where the lettuce-and-miso tastes good — being home
- the house i was born in not a trace left — fireflies
- the morning-after goldfish floats up dead
- at last i find the house — the evening cicadas
The Crow (Karasu)
72 poems1939–1940 · Matsuyama, the Issō-an
The years at the Issō-an in Matsuyama, which became his final dwelling. Seventy-two verses chosen by his own hand from the manuscripts written up to the year of his death. Here stand the clear, transparent poems of his last years, all sediment fallen away.
- how good the water is — the frogs are croaking
- letting the moon into my bed i settle down to sleep
- sprung up in the graveyard, blooming, how beautiful
- sultry heat — living things within living things
- this is water that trickles down from the mountain
- a whirligig quiet on water welling up and brimming over
- in a corner the flower of the mitsuba
- even the blackness of the rice reassuring as i wash it
- my navel has gathered a little sweat
- looks like rain — the neighbor too is sowing radishes
- a daughter and her mother come carrying lotus flowers
- thunder crashes and fragrant the flower pure white
- going to beg for rice in the wind
- sun into the mountain, moon out of the mountain, persimmons heavy on the bough
- the bush clover blooms and sure enough a mantis is there
- the katydid sings — so it is alive after all
- making this my grave — the red spider lilies blaze
- all around me day by day the grasses i love come into bloom
- work and work and still the plumes of pampas grass
- not so much reaping, not so much digging — sowing
- dewy indeed the flower of the dayflower
- air-raid warning — piled up and red the persimmons
- under the blackout a fine child is born — a boy
- burn it all and only this much ash — the wind blows
- the hand that cannot die shakes the bell, shakes it
- far off, close by, somewhere deep it is calling
- the wall crumbles and out of it a vine
- that is a butterfly's dance before death
- the moon unseen — moonlit water brimming full
- one bird comes and it is a bird that does not sing
- become a fly at autumn's end i go crawling along
- the evening water ruffles a little
- a fire burning and burning, beautifully
- the hand i grip hard, a hand of chapped and cracking skin
- a convict's grave, and secretly the grass springs green
- at last a household of their own — a brand-new bucket
- buds on the trees buds on the grass — from here on
- always in the red and somehow, somehow — a butterbur shoot
- one bloom on my desk opening at its leisure
- the journey too — tadpoles are already swimming
- down from the spring mountain rolling, rolling, little stones
- the crow crying, the crow flying, nowhere to settle
- the wind blows through from the sea — onion flowers
- come all this long way — alone on the rocky point
- round the bend a wind — the sea is near — a field of peas
- the holy mountain deep in silence dripping — truly real, not false
- blossom-clouded sky — the piano lesson has begun
- the road through the middle of the water runs straight
- sitting down on a stone — so it was a grave
- where the water stands full a toad swims
- the sound of water — today too i travel alone
- the mountain's stillness is a white flower
- sure enough the moon of Shinano has come out
- the moon of a travel night slowly, slowly waning
- this water that water the sound of water becoming the Tenryū
- where the streams meet here — the sound, the mountain cherries
- this road how many years — the great horse chestnut buds
- cannot get comfortable, the quilt heavy, i lie down to sleep
- how deeply, quietly the dust on my desk
- heaving up the morning earth in puffs — a mole
- dried up, dried right out — stones rolling everywhere
- a fire — let it rain, it blazes up praying
- no water anywhere — sweating over the withered field they work
- naked every day — butterflies and dragonflies
- under the blazing sky the rails run straight
- the water i begged and carry back spills — how cool
- you bell-ringing cricket — striking your bell, where are you
- the brightness of the moon — a traveling couple's murmured talk
- a bird far, far off enters the clouds — i see it off
- today's heat — the tobacco shop has no tobacco
- the moon shines perfectly clear right over the prison
- a crow goes flying — let me cross the water
Gleanings (Shūi)
1 poemsOutside the main text of Sōmokutō
Poems not included in the main body of Sōmokutō, drawn from the manuscripts and diaries of his late years.
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