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Sōmokutō · 701 poems

The collection Taneda Santōka chose himself.
Chapter by chapter, beginning to end.

The Begging Bowl (Hachi no ko)

91 poems

1925–1932 · Years of mendicant wandering

Ordained at last, Santōka became caretaker of the Mitori Kannon hall in Higo, then set out on a life of mendicant wandering with nothing but a bamboo hat and an iron begging bowl. This is the wellspring of his vagabond years. Many of his best-known verses belong here, beginning with "going deeper and still deeper into the blue mountains."

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One Man Within (Gochū hitori)

47 poems

1932–1934 · At the Gochū-an hermitage

In Ogōri, near his native Yamaguchi, Santōka built a hermitage he called the Gochū-an — the first dwelling he could truly call his own. These are poems of solitary quiet, of sitting face to face with snow and moon, of the sound of rice coming to the boil. Here the verses of daily living begin to appear.

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On the Begging Road (Gyōkotsu tojō)

41 poems

1933–1934 · Begging out from the hermitage

Days when, with the Gochū-an as his base, he still went out on the alms-begging road. Many of these are poems of the open road. The wind in "today too, a whole day, i walked the wind" is the wind of this time.

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Walking Mountains, Walking Waters (Sankō suikō)

103 poems

1934–1936 · To the mountains, to the waters

The title means "to walk the mountains, to walk the waters." Moving back and forth between travel and the hermitage, Santōka let his body dissolve into the sound of mountains and the sound of water. The verses gathered here are clear and limpid.

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From Journey to Journey (Tabi kara tabi e)

38 poems

1936 · The long journey east

To Tokyo, to Kiso, to Hiraizumi. A long eastward journey following the footsteps of Bashō and visiting the graves of departed friends. These travel verses were gathered up out of two thousand poems he had thrown away.

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A Landscape of Weeds (Zassō fūkei)

72 poems

1936–1937 · At the Gochū-an hermitage

Santōka named his hermitage life himself "a landscape of weeds." Let weeds grow and stretch and bloom and bear fruit as weeds — that is enough. Morning and evening at the Gochū-an: rice, water, and the sound of insects.

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Persimmon Leaves (Kaki no ha)

118 poems

1937–1938 · The late Gochū-an years

In the wet, shining fallen leaves of the persimmon, Santōka saw the wonder of creation. These are the late Gochū-an years, a mature collection in which his eye grows ever deeper toward the small things close at hand.

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The Home Front (Jūgo)

25 poems

1937–1938 · Poems of wartime

Under the Sino-Japanese War, these are poems of days spent seeing off men going to the front and receiving home the ashes of the dead. Neither glorifying nor condemning, they mirror the quiet strangeness of a town on the home front.

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Cold and Alone (Kokan)

57 poems

1938–1939 · Yuda, the Fūrai-kyo

Leaving the Gochū-an, Santōka moved to the Fūrai-kyo at Yuda hot spring. As the title suggests, many of these are winter poems that hold solitude and cold, yet beneath them the warmth of a hot-spring town also glimmers.

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Heart for the Road (Tabigokoro)

36 poems

1939 · The last long journey

From Shinano through the Tōhoku country and on across to Shikoku. These are poems of a final long journey — as if searching for a place to die, and yet light of step all the same.

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The Crow (Karasu)

72 poems

1939–1940 · Matsuyama, the Issō-an

The years at the Issō-an in Matsuyama, which became his final dwelling. Seventy-two verses chosen by his own hand from the manuscripts written up to the year of his death. Here stand the clear, transparent poems of his last years, all sediment fallen away.

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Gleanings (Shūi)

1 poems

Outside the main text of Sōmokutō

Poems not included in the main body of Sōmokutō, drawn from the manuscripts and diaries of his late years.

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山頭火アラーム アプリアイコン

Wake each morning to a single poem.

Santōka Alarm puts these 701 poems in your pocket,
an iOS app that wakes you each morning with one.

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